My research focuses on two related fields: the Anglo-American novel, especially from 1875 to the present, and the theory of the novel, which develops into its own discipline during this period. ÌýI am particularly interested in problems of novelistic form. ÌýFor my work on point of view, voice, narrative, and the politics of form, seeÌýSocial Formalism: The Novel in Theory from Henry James to the PresentÌý(Stanford UP, 1998);ÌýThe Novel: An Anthology of Criticism and Theory, 1900-2000Ìý(Wiley-Blackwell, 2006);ÌýandÌýThe Novel and the New EthicsÌý(Stanford UP, 2020).
Recent articles related toÌýThe Novel and the New Ethics include "On BeautyÌýas Beautiful?The Problem of Novelistic Aesthetics by way of Zadie Smith" (Contemporary Literature, 2012); "Aesthetics and the New Ethics: Theorizing the Novel in the Twenty-first Century" (PMLA, 2009); "The Art of English Fiction in the Twentieth Century" (The Cambridge Companion to the Twentieth-Century English Novel, 2009); and "Fiction as Restriction: Self-Binding in New Ethical Theories of the Novel" (Narrative, 2007).
Other recent projects include: "Faulkner'sÌýLight in AugustÌýand New Theories of Novelistic Time" in A Question of Time, ed. Cindy Weinstein, Cambridge UP (Cambridge UP, 2019); "The Place of the Novel in Reparative Reading," inÌýStudies in the Novel (Spring 2019);Ìýand Afterword for "Formalism Unbound," special double issue ofÌýPost45Ìý(January 2021).
